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Women in Publishing: An Oral History
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15 Susannah Charlton discusses how WiP challenged the status quo
14 Miranda Harrison describes a visit to The Society of Young Publishers
12 Charlotte Gascoigne discusses WiP's all-women environment
11 Gail Rebuck discusses the power of the WiP network
9 Kay Symons discusses the origins of the Wiplash newsletter
8 Tamar Karet discusses how WiP became organised and what it borrowed from Women in Media
7 Kay Symons describes the pitfalls of rejecting a patriarchal power structure
6 Diane Spivey discusses what WiP was for
5 Kay Symons describes debates amongst women about anonymity and feminism at the first WiP meeting
4 Jane Anger discusses the importance of establishing a dialogue with the publishing industry via WiP
3 Tamar Karet describes the beginning of WiP and the formation of it aims
2 Liz Calder discusses WiP's links with the wider feminist movement
1 Fenella Greenfield discusses 'a corrupt and peculiar world'
Questionnaire
If you were and/or are a member of Women in Publishing, we would like to capture your recollections, observations, feelings ...
The history of the project
The Women in Publishing Oral History aims to create a permanent record, in their own voices, of women who worked ...
The Book Trade Charity
Unwin Charitable Trust
British Library
WiP's Impact
WiP Then and Now
Celebrating Women's Achievements
Changing the Status Quo
The Beginning of Women in Publishing
A Gentleman's Profession
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