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Women in Publishing: An Oral History
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4 Diane Spivey reflects on how the decline of feminism affected WiP in the 1990s
3 Martha Fumagalli discusses coming from a 'less politicised generation'
2 Clare Baker reflects on WiP's declining radicalism over its first decade
1 Miranda Harrison recalls how WiP's priorities evolved during its first decade
13 Sarah Jane Evans discusses WiP's mix of senior and junior members
2 Sarah Jane Evans reflects on what holding a conference meant for WiP
9 Gail Rebuck recalls her depiction as 'a Barbie doll who crunched diamonds between her teeth' in the UK press
8 Gail Rebuck remembers the day she became CEO of Random House UK
7 Jane Judd on rewarding women's efforts and creating role models via the Pandora Prize
6 Diane Spivey reflects on the birth of the Pandora Prize
5 Jane Anger remembers her boss being awarded a Pink Pig
4 Jane Judd recalls the year a Pink Pig was awarded to author Barbara Cartland
3 Linda Schwartz on the 'oink-o-meter'
2 Jane Gregory reads letters between WiP and Pink Pig recipient Auberon Waugh
1 Tamar Karet on the birth of the Pink Pig awards
13 Diane Spivey reflects on the end of WiP's training programme
12 Susannah Charlton reflects on the benefits of WiP's mentoring scheme
11 Sue Bennett on the start of Oxford WiP's training, and the tricks used to make women's employers pay for it
10 Kay Symons on learning to say 'I am good at...' on the Positive Personal Power training course
9 Nina Shandloff reflects on putting her feminist principles into practice through organising WiP's training courses
8 Jane Gregory remembers teaching negotiating skills on the contracts training course
7 Charlotte Gascoigne remembers her time organising WiP's training
6 Susannah Charlton remembers the impact of WiP's assertiveness training
5 Fenella Greenfield on learning to say 'I want it back'
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