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Women in Publishing: An Oral History
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14 Paula Kahn on Longman's move from Grosvenor Street to Harlow
10 Paula Kahn on the purpose of setting up the Bentinck Group
10 Jane Cholmeley on winning the Pandora Award
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14 Jane Cholmeley on the various waves of feminism and how WiP may be a template for the future
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10 Charmian Hearne describes how Wiplash was put together
13 Jane Anger on the need for vigilance in today's 'tick-based' culture
12 Gail Rebuck reflects on the need for a return to WiP's mission
11 Miranda Harrison discusses WiP's continued relevance to the book trade
10 Kay Symons on the lessons WiP imparted
9 Susannah Charlton reflects on how WiP created a generation of female managers, directors and chief executives in the book trade
8 Nina Shandloff on how WiP influenced the book trade
7 Susannah Charlton remembers how WiP affected her professional development
6 Jane Judd recalls how WiP affected women's confidence in the workplace
5 Susannah Charlton recalls establishing friendships and shared values through her membership of WiP
4 Miranda Harrison on her favourite WiP memory
3 Tamar Karet on finding friends for life through WiP
2 Lisa Tuttle on finding a connection with other women, and the wider world, through WiP
1 Charlotte Gascoigne reflects on what WiP did for women in the publishing industry
7 Simone Castello discusses the fallout from the decision to allow men to attend WiP social functions
6 Sue Bennett discusses why Oxford WiP remained a women-only group in the 80s, 90s and beyond
5 Nina Shandloff on rejecting calls for WiP to become 'PiP'
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